PRESS RELEASE
FLAMING JUNE (VI)
June 1 - August 5 2006
PRICELIST
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If you wish further information, please email inquiry@spaniermanmodern.com.
Spanierman Modern is pleased to announce the
opening on June 1, 2006 of Flaming June (VI), which
inagurates our new space, located next door to our existing
gallery. In the spirit of our combined venture, our opening
exhibition — the sixth in a series organized by the
noted curator and writer Sarah Gavlak — explores and
celebrates connections between American art of the present
and that of the past. Each of the contemporary artists included
in Flaming June (VI) has created an image inspired
by a particular painting produced by an American artist of
an earlier era or has rendered a work in direct response to
the one they have chosen.
The title of the show is taken from the famous
painting Flaming June (1895) by the English Pre-Raphaelite
artist Frederic Leighton, portraying a sleeping woman in a
brilliant orange gown. By evoking images of similar classically
rendered subjects by Renaissance painters Giorgione and Titian,
Leighton explored the redolent suggestiveness and sensuality
within a tradition usually perceived through its ideality
to be antithetical to it.
The contemporary artists in Flaming June
(VI) reflect Leighton’s legacy in their interest
in issues of classical beauty, sensuality, and seduction and
in the way that they derive their inspiration for addressing
these themes from the art of the past so as to reinterpret,
explore innuendoes, and find points of refence that are reflective
of life today. Each artist’s work will be shown along
with the object from past from which they derived inspiration.
Elif Uras’s painting will be exhibited next to one
by the early twentieth-century painter Florine Stettheimer,
reflecting the artists’ similar use of brilliant colors
and interest in exploring the pastimes of the leisure class.
The Los Angeles-based artist Matty Byloos has selected a work
by Edward Hopper that resonates with his own interest in exploring
themes of isolation and psychological distance. A work by
painter and photographer Marilyn Minter will be paired with
one by Willem De Kooning. The show will provide further juxatpositions
between work by Lisa Anne Auerbach and William Merritt Chase,
Ellen Harvey and Lilian Westcott Hale, Anthony James and Albert
Herter, Melora Kuhn and Chase, Alexis Marguerite Teplin and
John Singer Sargent, Michael Wetzel and Hercules Brabazon,
Lesley Vance and Georgia O’Keeffe, and T. J. Wilcox
and Karl Buehr.
Drawing on the gallery’s sixty years of
commitment to American art of the past, our new gallery will
be commited to an ongoing dialogue between the ages, bringing
out their points of convergence, continuity, and difference.
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