DAN CHRISTENSEN
1942, born Cozad, Nebraska
1964, received B.F.A., Kansas City Art Institute; moved to New York City
Currently resides in East Hampton, New York

SELECTED REFERENCES
Max Kozloff, “Light as Surface: Ralph Humphrey and Dan Christensen,” Artforum (February 1968), 26-30.

Ann Ray Martin and Howard Junker, “The New Art: It’s Way, Way Out,” Newsweek 29 (July 1968), 56-63.

Barbara Rose, “Gallery without Walls,” Art in America (March-April 1968), 71.

Emily Wasserman, “Corcoran Biennial,” Artforum (April 1969), 71-74.

“To See, To Feel, Painting—Dervish Loops,” Time Magazine (May 30, 1969), 64.

Grace Glueck, “Like a Beginning,” Art in America (May-June 1969), 116-19.

“Art in New York, Midtown, Dan Christensen,” Time Magazine (June 6, 1969), 2.

John Gruen, “The Whoosh in the Work,” New York Magazine (June 9, 1969), 57.

Emily Wasserman, “New York,” Artforum (Summer 1969), 61-62.

Douglas M. Davis, “This Is the Loose-Paint Generation,” National Observer (August 4, 1969), 20.

Scott Burton, Art News (September 1969), 16.

Larry Aldrich, “Young Lyrical Painters,” Art in America (November-December 1969), 104-13.

Carter Ratcliff, “The New Informalists,” Art News (February 1970), 46-50.

Charlotte Curtis, “When Ethel Scull Redecorates, it is Art News,” New York Times, February 27, 1970, 33.

Douglas Davis, “The New Color Painters,” Newsweek (May 4, 1970), 84-85.

Peter Plagens, Artforum (May 1970), 82-83.

Willis Domingo, “Color Abstractionism: A Survey of Recent American Paintings,” Arts Magazine (December 1970), 39.

Grace Glueck, “A Happy New Year?” Art in America (January-February 1971), 26-27.

Robert Pincus-Witten, “New York,” Artforum (April 1971), 75.

Edward B. Henning, “Color & Field,” Art International (May 1971), 46-50.

Carter Ratcliff, “New York Letter: Spring, Part III,” Art International (Summer 1971), 95-99, 105.

Jeanne Siegel, “Around Barnett Newman,” Art News (October 1971), 42-43.

Marcia Tucker, The Structure of Color (New York: Whitney Museum of American Art, 1971).

James N. Wood, Six Painters (Buffalo, N.Y.: Albright-Knox Art Gallery), 1971.

Hilton Kramer, New York Times, October 28 1972, 23.

Jeanne Siegel, Art News (November 1972), 79.

Kenworth Moffett, Abstract Painting of the 70s (Boston, Mass.: Museum of Fine Arts, 1972).

James K. Monte, Six New York Artists: Paintings (Phildelphia, Pa.: Moore College of Art, 1973).

Karen Wilkin, “Dan Christensen: Recent Paintings,” Art International (Summer 1974), 57.

Ingeborg Hoesterey, “Ausstellung,” Art International (Summer 1976), 31-32.

Donald Doe, Expressionism in the Seventies (Omaha, Nebr.: University of Nebraska at Omaha, 1978).

Grace Glueck, “Dan Christensen,” New York Times, March 16, 1979, 24.

John Ashbery, “Out of Left Field,” New York Magazine (April 2, 1979), 68.

Donald Doe, Dan Christensen: Paintings from the 70s (Omaha, Nebr.: University of Nebraska at Omaha, 1980).

John Elderfield, New Work on Paper (New York: Museum of Modern Art, 1981).

Hilton Kramer, “Art: Show of New Works Sets Example at Modern,” New York Times, February 13, 1981, 61.

Hilton Kramer, New York Times, “Art,” February 27, 1981, C17.

Kay Larson, “Drawing on Strength,” New York Magazine (March 9, 1981), 58-61.

John Ashbery, “Pleasures of Paperwork,” Newsweek (March 16, 1981), 93-94.

Valentin Tatransky, “New Work in New York,” Museum Magazine (July-August 1981), 64-68.

Barbara Rose, Miro in America (Houston, Tex.: Museum of Fine Arts, 1982).

Valentin Tatransky, Arts Magazine (May 1982), 11.

Phyllis Braff, “11 East End Painters Illustrate Bold New Trends,” New York Times, September 14, 1986, A1.

Dan Cameron, “Before the Field: Paintings from the 60s, at the Daniel Newburgh Gallery,” Flash Art 152 (May-June 1990).

Phyllis Braff, “Social and Political Situations,” New York Times, Long Island Weekly [supplement] June, 17, 1991, 17.

Roberta Smith, “A Color Field Painter From the 60s to Now,” New York Times, August 2, 1991, C23.

Ruth Bass, “Dan Christensen,” Art News (November 1991), 136.

Lee Rosenbaum, “If It’s Not Popular, That’s Just Too Bad,” New York Times, March 7, 1993, H, 33-34.

Holland Cotter, “Art in Review—‘1969: A Year Revisited,’” New York Times, July 15, 1994, C23.

Holland Cotter, “Art in Review,” New York Times, July 22, 1994, C24.

Hearne Pardee, “Dan Christensen,” Art News 94 (January 1995), 165-66.

Karen Wilkin, “At The Galleries,” Partisan Review (Fall 1999), 640-52.

Helen A. Harrison, “Landscapes of Fantasy, and a Devotion to Color,” New York Times, December 8, 2002, LI21.

Katherine B. Crum, Dan Christensen—Reflections on a Retrospective (Southampton, N.Y.: Parrish Art Museum 2002).