Heidi Spector
Mr. Lover Man, 2017
Acrylic with resin on birch panel
16 x 8 x 3 inches
Signed, titled, and dated on the verso
Heidi Spector
Sense of Entitlement, 2014
Acrylic with resin on birch panel
27 × 5 × 5 inches
Signed, titled, and dated on the verso
Heidi Spector
Positive Space, 2015
Acrylic and resin on birch cube
7 x 7 x 7 inches
Signed, titled, and dated on the bottom
Heidi Spector
Brainstorm, 2017
Acrylic and resin on shaped birch panel
48 x 27 x 2 inches
Signed, titled, and dated on the verso
Heidi Spector
From The Inside, 2017
Acrylic with resin on birch cube
14 × 14 × 14 inches
Signed, titled, and dated on the verso
Louise P. Sloane
Summer's End, 2023
Acrylic paints and pastes on Gessoed 400# Arches Cold Press Paper
30 × 22 inches
Signed, titled, and dated on the verso
Louise P. Sloane
Neptune Rising, 2020
Acrylic paint and pastes on linen
50 x 44 inches
Signed, titled, and dated on the verso
Louise P. Sloane
Violet Rising, 2020
Acrylic paint and pastes on linen
40 x 30-3/4 inches
Signed, titled and dated on the verso
Louise P. Sloane
Vixen, 2019
Acrylic paint and pastes on linen
26 x 24 inches
Signed, titled, and dated on the verso
Erin Parish
Levitate, 2018
Oil and resin on canvas
30 x 40 inches
Signed, titled, and dated on the verso
Erin Parish
Coping Mechanism, 2021
Oil, acrylic, and epoxy resin on canvas
60 x 49 inches
Signed, titled, and dated on the verso
Erin Parish
Blue Swirled, 2022
Oil, acrylic, and resin on canvas
36 x 36 inches
Signed, titled, and dated on the verso.
Erin Parish
Dance, 2018
Oil on canvas
36 x 36 inches
Signed, titled, and dated on the verso
Erin Parish
Cloud of Unknowing, 2015
Oil on and resin canvas
36 x 60 inches
Signed, titled, and dated on the verso
Andy Moses
Geodynamics 1205, 2019
Acrylic on canvas over hexagonal shaped wood panel
60 x 52 inches
Signed, titled, and dated on the verso
Andy Moses
Geodynamics 1203, 2019
Acrylic on canvas stretched over hexagonal shaped wood panel
60 x 52 inches
Signed, titled, and dated on the verso
Andy Moses
Geodesy 1208, 2018
Acrylic on canvas
60 inches in diameter
Signed, titled, dated on the verso
Teo Gonzalez
Arch Horizon Painting 6, 2016
Acrylic on canvas over board
48 x 48 inches
Signed, titled, dated on the verso
Teo González
Arch/Horizon Painting 3, 2013
Acrylic on canvas over board
48 x 42 in.
Signed on verso
Teo Gonzalez
Untitled, #673, 2014
Acrylic on canvas over board
48 × 37 inches
Signed, titled and dated on the verso
Teo Gonzalez
Arch Horizon, Black, White, Gray, 2015
Acrylic on canvas over board
42 × 36 inches
Signed, titled, and dated on verso
Marco Casentini
Mazedetta Primavera, 2020
Acrylic on Aluminum
15 × 11-3/8 inches
Signed, titled, dated on the verso
Signed, titled and dated on the verso
Marco Casentini
Erasing Time, 2021
Acrylic on Aluminum
20-1/2 x 17-1/4 inches
Signed, titled and dated on the verso
Marco Casentini
Urban Window, 2021
Acrylic on Aluminum
34-5/8 × 12-5/8 inches
Signed, titled, and dated on the verso
Marco Casentini
Erased II, 2020
Acrylic on Aluminum
7-5/8 × 23-5/8 inches
Signed, titled, and dated on the verso
Steven Alexander
Metro 1, 2014
Oil and acrylic on canvas
30 x 26 in.
Signed, titled, and dated on verso
Steven Alexander
Arcade 4, 2017
Oil and acrylic on canvas,
22 x 18 in.
Signed, titled, and dated on verso
Steven Alexander
Tracer 10, 2016
Oil and acrylic on linen
42 x 60 inches
Signed, titled, and dated on the verso
Steven Alexander
Nomad 4, 2019
Oil and acrylic on canvas
50 x 60 inches
Signed, titled, dated on the verso
Steven Alexander
Veil 2, 2017
Oil and acrylic on canvas
22 x 18 inches
Signed, titled, dated on the verso
Steven Alexander
Tracer 7, 2017
Oil and acrylic on canvas
50 x 60 inches
Signed, titled, dated on the verso
'Constructive Geometry'
An Exhibition of work by Steven Alexander, Marco Casentini, Teo Gonzalez, Robert Huot, Erin Parish, Louise P. Sloane, and Heidi Spector.
February 6 – March 6, 2024
Geometric abstract art emerged in the early 20th century as a response to the increasing realism of photography and film. Artists sought to move away from realistic depictions and instead focused on expressing their inner thoughts and emotions through abstract means.
Geometric abstract artists like Malevich, Wassily Kandinsky, Piet Mondrian, and others embraced geometric forms and primary colors to create works that eliminated elements like perspective and physical reality. They aimed to present viewers with a different perspective on the world, focusing on the medium of painting itself rather than depicting specific subjects.
Movements like Cubism and Futurism also influenced geometric abstraction, with artists such as Picasso, Braque, and Mondrian exploring simplified and geometric representations of reality. The investigation of geometric abstraction continued well into the post-war era by artists such as Josef Albers, Sol LeWitt, and Victor Vasarely, further developing the style.
The work featured in this exhibition examines how precision meets simplicity, and form intertwines with space. These works invite contemplation and introspection. While all of them share an interest in color, form, texture, and shape, they employ very different approaches to accomplish their goals. The exhibition offers a captivating exploration of constructive geometry as a contemporary expression of minimalism's enduring legacy.
