Diamonds For The Trees, 2018
Oil and acrylic on canvas
48 x 96 inches
Signed and dated on the verso
Neural Plasticity, 2022
Oil, acrylic, and resin on canvas
48 x 60 inches
Signed, titled, and dated on the verso
Night Wish Upon a Far, 2011-2017
Oil and resin on wood panel
47 1/2 x 47 1/2 inches
Signed and dated on the verso
Scintillating, 2012
Oil and resin on wood panel
35 1/2 x 47 1/2 inches
Signed, titled, and dated on the verso
Blue Swirled, 2022
Oil, acrylic, and resin on canvas
36 x 36 inches
Signed, titled, and dated on the verso
Close Eyes, Make Wish, 2015
Oil and resin on canvas
30 x 40 inches
Signed and dated on the verso
Levitate, 2018
Oil and resin on canvas
30 x 30 inches
Signed and dated on the verso
Coping Mechanism, 2021
Oil, acrylic, and epoxy resin on canvas
60 x 49 inches
Signed and dated on the verso
Lightheaded, 2022
Oil, acrylic, and resin on canvas
36 x 36 inches
Signed, titled, and dated on the verso
Molecular Boogie THC, 2019-21
Oil and resin on canvas
70 x 50 inches
Signed and dated on the verso
Modified Eventual Horizons, 2017
Oil, encaustic, and resin on canvas
20 x 80 inches
Signed and dated on the verso
Overture, 2021
Oil and resin on canvas
60 x 144 inches (3 panels; 60 x 48 inches each)
Signed and dated on the verso
Go Thither, 2017-18
Oil on canvas
44 x 52 inches
Signed and dated on the verso
The Point of Boiling, 2018
Oil and acrylic on wood panel
48 x 48 inches
Singed and dated on the verso
Windy Ocean, 2017
Oil and resin on wood panel
48 x 60 inches
Signed and dated on the verso
Untitled (Purple & Green), 2019
Oil and resin on canvas
60 x 48 inches
Signed and dated on the verso
Dance, 2018
Oil on canvas
36 x 36 inches
Signed and dated on the verso
Twisted Balance, 2021
Oil, acrylic, and resin on canvas
60 x 41 inches
Signed and dated on the verso
Jungle's Edge, 2017-21
Oil, encaustic, and resin on canvas
40 x 30 inches
Signed, titled, and dated on the verso
Nocturne, 2018
56 x 84 inches
Signed and dated on the verso
SOLD
Observations of a Wallflower, 2015
Oil and mixed media on wood panel
60 x 30 inches
Signed and dated on the verso
Cloud of Unknowing, 2015
Oil and resin on canvas
36 x 60 inches
Signed and dated on the verso
Mis-believe, 2003
Watercolor on paper
10 1/4 x 12 1/2 inches
Signed and dated on the verso
You Chose, 2003
Watercolor on paper
10 1/8 x 10 3/16 inches
Signed and dated on the verso
Snorkel Depth, 2005
Mixed media on paper
11 x 14 inches
Signed and dated on the verso
Vacation Rain, 2003
Watercolor on paper
10 1/4 x 12 3/4 inches
Signed, titled, and dated on the verso
Fever, Fever, 2003
Watercolor on paper
9 7/8 x 13 inches
Signed and dated on the verso
Window Wetness, 2003
Watercolor on paper
9 3/4 x 12 1/4 inches
Signed and dated on the verso
Fume Drone, 2003
Watercolor on paper
10 x 12 1/2 inches
Signed and dated on the verso
Stop and Slumber, 2003
Watercolor on paper
10 3/4 x 13 1/2 inches
Signed and dated on the verso
Maybe We are the Aliens, 2024
Mixed media on Watercolor paper
24 x 18 inches
Signed and dated lower left
Hallucinated Home, 2003
Watercolor on paper
10 1/4 x 12 1/2 inches
Signed and dated on the verso
Can't Explain, 2003
Watercolor on paper
10 x 12 1/2 inches
Signed and dated on the verso
Nervous Stomach, 2024
Mixed media on Watercolor paper
24 x 18 inches
Signed and dated lower right
Titled on the verso
Water Table Calendar, 2020
Watercolor on paper
9 x 29 ¾ inches
Signed lower right
Keep Your Eyes on the Prize, 2024
Mixed media on Watercolor paper
24 x 18 inches
Signed and dated lower right
Titled on the verso
Reflection by the Pool, A Vibration, 2022
Oil, acrylic, and resin on canvas
48 x 60 inches
Signed, titled, and dated on the verso
SOLD
Erin Parish (b. 1966) explores universal landscapes through her dense and layered geometrically abstract paintings. The works, primarily composed of layers of circles, reflect visions of subatomic particles, microcosmic atoms, and cells that make up the universe. Layers of resin are coated on top to fabricate an implied depth. Although Parish does not include a primary focal point in her works, the textured surfaces guide the eye through the structurally rigorous and complex compositions. There is an undeniable tension between the textured surface and the underpainting; the outcome is an abstract imagery that alludes to both the universal and the specific, the viewer is therefore called to carry out the process of reflection and interpretation as they become an active participant, giving life to the work. Parish designs her works to be digested over time: the viewer can observe changes in their perception due to changes in light, the seasons, and even their internal emotional shifts.
Erin Parish was born in St. Louis, Missouri. She received her Bachelor’s of Art from Bennington College and her Master’s of Fine Art from Queens College. She has had numerous solo and group exhibitions across the United States and her works can be found in public and private collections. She currently lives and works in Miami Beach, Florida.