![Force of Nature](https://img.artlogic.net/w_704,h_560,c_lfill/exhibit-e/5a132c80dca837de298b4567/33030406325bb12a1c9d059cf34000e8.jpeg)
Diamonds For The Trees, 2018
Oil and acrylic on canvas
48 x 96 inches
Signed and dated on the verso
Neutral Plasticity, 2022
Oil, acrylic, and resin on canvas
48 x 60 inches
Signed, titled, and dated on the verso
Night Wish Upon a Far, 2011-2017
Oil and resin on wood panel
47 1/2 x 47 1/2 inches
Signed and dated on the verso
Scintillating, 2012
Oil and resin on wood panel
35 1/2 x 47 1/2 inches
Signed, titled, and dated on the verso
Blue Swirled, 2022
Oil, acrylic, and resin on canvas
36 x 36 inches
Signed, titled, and dated on the verso
Close Eyes, Make Wish, 2015
Oil and resin on canvas
30 x 40 inches
Signed and dated on the verso
Levitate, 2018
Oil and resin on canvas
30 x 30 inches
Signed and dated on the verso
Coping Mechanism, 2021
Oil, acrylic, and epoxy resin on canvas
60 x 49 inches
Signed and dated on the verso
Lightheaded, 2022
Oil, acrylic, and resin on canvas
36 x 36 inches
Signed, titled, and dated on the verso
Molecular Boogie THC, 2019-21
Oil and resin on canvas
70 x 50 inches
Signed and dated on the verso
Modified Eventual Horizons, 2017
Oil, encaustic, and resin on canvas
20 x 80 inches
Signed and dated on the verso
Overture, 2021
Oil and resin on canvas
60 x 144 inches (3 panels; 60 x 48 inches each)
Signed and dated on the verso
Go Thither, 2017-18
Oil on canvas
44 x 52 inches
Signed and dated on the verso
The Point of Boiling, 2018
Oil and acrylic on wood panel
48 x 48 inches
Singed and dated on the verso
Windy Ocean, 2017
Oil and resin on wood panel
48 x 60 inches
Signed and dated on the verso
Untitled (Purple & Green), 2019
Oil and resin on canvas
60 x 48 inches
Signed and dated on the verso
Dance, 2018
Oil on canvas
36 x 36 inches
Signed and dated on the verso
Twisted Balance, 2021
Oil, acrylic, and resin on canvas
60 x 41 inches
Signed and dated on the verso
Jungle's Edge, 2017-21
Oil, encaustic, and resin on canvas
40 x 30 inches
Signed, titled, and dated on the verso
Nocturne, 2018
56 x 84 inches
Signed and dated on the verso
SOLD
Observations of a Wallflower, 2015
Oil and mixed media on wood panel
60 x 30 inches
Signed and dated on the verso
Cloud of Unknowing, 2015
Oil and resin on canvas
36 x 60 inches
Signed and dated on the verso
Mis-believe, 2003
Watercolor on paper
10 1/4 x 12 1/2 inches
Signed and dated on the verso
You Chose, 2003
Watercolor on paper
10 1/8 x 10 3/16 inches
Signed and dated on the verso
Snorkel Depth, 2005
Mixed media on paper
11 x 14 inches
Signed and dated on the verso
Vacation Rain, 2003
Watercolor on paper
10 1/4 x 12 3/4 inches
Signed, titled, and dated on the verso
Fever, Fever, 2003
Watercolor on paper
9 7/8 x 13 inches
Signed and dated on the verso
Window Wetness, 2003
Watercolor on paper
9 3/4 x 12 1/4 inches
Signed and dated on the verso
Fume Drone, 2003
Watercolor on paper
10 x 12 1/2 inches
Signed and dated on the verso
Stop and Slumber, 2003
Watercolor on paper
10 3/4 x 13 1/2 inches
Signed and dated on the verso
Hallucinated Home, 2003
Watercolor on paper
10 1/4 x 12 1/2 inches
Signed and dated on the verso
Can't Explain, 2003
Watercolor on paper
10 x 12 1/2 inches
Signed and dated on the verso
Reflection by the Pool, A Vibration, 2022
Oil, acrylic, and resin on canvas
48 x 60 inches
Signed, titled, and dated on the verso
SOLD
Born in St. Louis, Missouri, in 1966, Erin Parish creates deeply meditative work. Her abstract imagery alludes to the universal and the specific, inviting the viewer to reflect, interpret, and actively participate in bringing the piece to life. Composed principally of fields of circles, Parish’s paintings do not have primary focal points. Rather, a depth is implied through coats of resin, resulting in textured surfaces that guide the eye. Layered and dense, Parish’s works convey a distinct tension between the textured surface and the underpainting resulting in structurally rigorous and complex compositions. Abstraction, as non-representative style, it is void of all reference to our physical world. It allows viewers to interpret and project their own emotional and spiritual feelings onto it. Parish intends for a conversation to occur between the painting and the viewer – preferably over a significant length of time. Parish likes to imagine that her paintings reside with people who meditate on them often, observing how they change under different lighting situations, seasons, and even internal emotional shifts. Her works’ full complexity reveals itself through a gradual unraveling. Complex and subtle, her paintings are equally approachable and open.