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Atlanta Art Fair

Booth D07

October 3 – 6, 2024

Selected Works Thumbnails Back
Steven Alexander Blue Poet, 2019

Steven Alexander
Blue Poet, 2019

Oil and acrylic on canvas

50 x 40 inches

Signed, titled, and dated on the verso

Gavin Benjamin The Glamorous Life No. 1, 2022

Gavin Benjamin
The Glamorous Life No. 1, 2022

Mixed media, collage, analog photography, lacquers, mixed crystals, canvas, and paper on panel

60 x 60 inches
Signed, titled, and dated on the verso

 

Gavin Benjamin Heads of State No. 11, 2023

Gavin Benjamin
Heads of State No. 11, 2023

Mixed media, collage, analog photography, lacquers, mixed crystals, canvas, and paper on panel

40 x 30 inches

Edition of 5 
Signed on the verso

Gavin Benjamin Heads of State No. 37, 2023

Gavin Benjamin
Heads of State No. 37, 2023

Mixed media, collage, analog photography, lacquers, mixed crystals, canvas, and paper on panel

40 x 30 inches

Edition of 5 

Signed on the verso

Gavin Benjamin Heads of State No. 57 (Naomi Simms), 2023

Gavin Benjamin
Heads of State No. 57 (Naomi Simms), 2023
Mixed media, collage, analog photography, lacquers, mixed crystals, canvas, and paper on panel

40 x 30 inches

Edition of 5 
Signed on the verso

Marco Casentini Erased I, 2020

Marco Casentini
Erased I, 2020

Acrylic on D-board

7 5/8 × 23 5/8 inches

Signed, titled, and dated on the verso 

Marco Casentini Erased II, 2020

Marco Casentini
Erased II, 2020

Acrylic on D-board

7 5/8 × 23 5/8 inches

Signed, titled, and dated on the verso

Herbert Gentry Portrait, 1955

Herbert Gentry
Portrait, 1955

Oil on canvas

31 1/2 x 25 1/2 inches
Frame: 33 3/4 x 27 3/8 inches

Signed lower right

Herbert Gentry, Cityscape (probably Paris), 1960, Oil on paper, 21-1/2 x 16-1/4, inches lower right. Abstract cityscape painting with thick paint strokes and a warm gradient background. Herbert Gentry painted in a semi-figural abstract style, suggesting images of humans, masks, animals and objects caught in a web of circular brush strokes, encompassed by flat, bright color.

Herbert Gentry
Cityscape (probably Paris), 1960

Oil on paper

21 1/2 x 16 1/4 inches
Frame: 28 3/4 x 23 inches

Signed lower right

Teo Gonzalez Untitled # 681, 2014

Teo Gonzalez
Untitled # 681, 2014

Acrylic on board

42 x 42 inches

Signed, titled, and dated on the verso

Susan Grossman Formation, 2023

Susan Grossman
Formation, 2023
Charcoal and pastel on paper mounted on board
31 x 34 inches
Frame: 34 x 37 3/4 inches
Signed and dated on the verso

Susan Grossman Foreshadow, 2023

Susan Grossman
Foreshadow, 2023
Charcoal and pastel on paper mounted on board
24 1/4 x 29 1/2 inches
Frame: 28 1/2 x 33 inches
Signed and dated on the verso

Inness Hancock Morning Light, 2024

Inness Hancock
Morning Light, 2024
Oil on canvas
60 x 60 inches
Signed, titled, and dated on the verso

Felrath Hines, Pond, Oil on canvas. Abstract painting with organic shapes and natural earth tones. Felrath Hines worked to create universal visual idioms from a place of complex personal experience. His figurative and cubist-style artwork morphed into soft-edged organic abstracts as he grappled with hues in his chosen oil medium.

Felrath Hines
Pond, 1962

Oil on canvas 

36 x 24 inches

Frame: 42 1/2 x 30 1/4 inches 

Signed lower right

Signed, titled, and dated on the verso 

Felrath Hines Landscape, 1963

Felrath Hines
Landscape, 1963
Oil on canvas
60 x 36 inches
Frame: 27 x 26 3/4 inches
Signed on the verso

Felrath Hines, Three Figures, 1947, Oil on canvas, 36 x 30 in., Signed and dated, lower right. Three female cubist figures are set behind a small floral arrangement, looking directly at the viewer. Felrath Hines worked to create universal visual idioms from a place of complex personal experience. Hines’s figurative and cubist-style artwork morphed into soft-edged organic abstracts as he grappled with hues in his chosen oil medium.

Felrath Hines
Three Figures, 1947

Oil on canvas

36 x 30 inches

Frame: 45 x 39 inches

Signed and dated lower right

Tropic Night, 1989 Oil on canvas 26 x 26 inches

Felrath Hines
Tropic Night, 1989

Oil on canvas 

26 x 26 inches 
Frame: 27 x 26 3/4 inches

Felrath Hines Floating Rectangle, 1984

Felrath Hines
Floating Rectangle, 1984

Oil on canvas

26 x 39 inches
Frame: 31 x 43 inches

Signed

Felrath Hines, Totem, 1950, Oil on canvas, 30 x 24 in., Signed and dated, lower right. Cubist figures at the forefront of the composition, the right one mostly blue, and the left one pink, purple and green create totem poles. Felrath Hines worked to create universal visual idioms from a place of complex personal experience. Hines’s figurative and cubist-style artwork morphed into soft-edged organic abstracts as he grappled with hues in his chosen oil medium.

Felrath Hines
Totem, 1950

Oil on canvas

30 x 24 inches

Frame: 39 1/4 x 33 inches

Signed and dated lower right

Lois Mailou Jones , Paris, ca. 1937-38 

Lois Mailou Jones 

Paris, ca. 1937-38 

Oil on canvas laid to board 

18 1/4 x 24 inches 

Frame: 24 1/2 x 30 inches

Signed and titled lower right

Lois Mailou Jones , The Musician, ca. 1940 

Lois Mailou Jones 

The Musician, ca. 1940 

Casein on paper laid to masonite 

18 1/8 x 14 7/8 inches 

Frame: 25 1/2 x 20 1/2 inches 

Signed lower right 

Sam Middleton, Time, 1993 Mixed media and collage on paper 30-1/4 x 41-3/4 Signed and dated lower right. Abstract work with primary colors and geometric shapes including, squares, circles, lines and spheres. Sam Middleton was one of the leading 20th-century American artists, and is a mixed-media collage artist.

Sam Middleton
Time, 1993

Mixed media collage on paper

30 1/4 x 41 3/4 inches
Frame: 34 x 45 1/2 inches

Signed and dated lower right

Sam Middleton, Studio Session, 1992, Mixed media collage, 30 3/4 x 41 3/4 inches, Signed and dated lower right, MIDDLETON 92 Signed, dated, titled and numbered on verso. Abstract collage with black and white photographs, red and black rectangles and geometric lines. Sam Middleton was one of the leading 20th-century American artists, and is a mixed-media collage artist.

Sam Middleton
Studio Session, 1992

Mixed media collage on paper

30 3/4 x 41 3/4 inches
Frame: 34 x 45 1/2 inches

Signed and dated lower right

Sam Middleton, Strong World, 1981, Mixed media on paper, 20 x 30 inches, Signed and dated lower right. Abstract work with blue background, and checkered multi-colored rectangles and geometric marks in the foreground in blue and red. Sam Middleton was one of the leading 20th-century American artists, and is a mixed-media collage artist

Sam Middleton
Strong World, 1981

Mixed media and collage on paper

20 x 30 inches
Frame: 23 3/8 x 33 1/8 inches

Signed and dated lower right

Sam Middleton, Rhythm and Blues, 1999, Mixed media and collage on paper, 30-3/4 x 41-3/4, Signed and dated lower right. Mixed media piece with black and white photographs, music notes, and geometric shapes in primary colors. Sam Middleton was one of the leading 20th-century American artists, and is a mixed-media collage artist.

Sam Middleton
Rhythm and Blues, 1999

Mixed media and collage on paper

30 3/4 x 41 3/4 inches
Frame: 34 x 45 1/2 inches

Signed and dated lower right

Sam Middleton, Maestros, 1999, Mixed media collage, 30 1/2 x 40 1/2 inches, Signed and dated lower right, MIDDLETON 99. Collage with photographs of jazz singers cut into squares and circles, music notes and geometric shapes in primary colors. Sam Middleton was one of the leading 20th-century American artists, and is a mixed-media collage artist.

Sam Middleton
Maestros, 1999

Mixed media and collage on paper

30 1/2 x 40 1/2 inches
Frame: 34 1/4 x 44 3/4 inches

Signed and dated lower right

Sam Middleton, Galaxy, 1964 

Sam Middleton

Galaxy, 1964 

Watercolor, gouache, and crayon on paper 

8 x 10 1/2 inches 

Frame: 12 7/8 x 15 3/8 inches

Signed and dated lower right 

Sam Middleton , Music, 1985 

Sam Middleton 

Music, 1985 

Mixed media and collage on paper 

18 1/2 x 24 1/2 inches 

Frame: 24 1/2 x 30 1/4 inches

Signed and dated lower right 

Louise P. Sloane

Louise P. Sloane
Ring of Fire, 2018

Acrylic paint and paste on linen

36 x 36 inches

Signed, titled, and dated on the verso

Heidi Spector To Believe in a Miracle II, 2024

Heidi Spector
To Believe in a Miracle II, 2024
Liquitex with resin on panel
50 x 12 x 2 inches
Signed, titled, and dated on the verso

Heidi Spector To Believe in a Miracle I, 2024

Heidi Spector
To Believe in a Miracle I, 2024
Liquitex with resin on panel
50 x 12 x 2 inches
Signed, titled, and dated on the verso

 

Diane Walker-Gladney Ice Skating 101, 2023

Diane Walker-Gladney
Ice Skating 101, 2023
Acrylic and graphite on canvas
36 x 48 inches
Signed on the lower right edge
Signed and titled on the verso

Ouattara Watts Initiation, 1986

Ouattara Watts
Initiation, 1986

Oil on canvas sail

84 x 144 inches

Signed, titled, and dated on the verso